TANZ IN HAMBURG - The Festival inside the Festival
JULY 27 and 28 2009
Hamburger Sprechwerk, 8 pm
(ca. 90 minutes) • Public discussion with the artist(s) after performances.
In order to support the Hamburg dance scene Angela Guerreiro created TANZ IN HAMBURG, a platform of two days for the Hamburg choreographers to present their most recent work. From the unknown into the finished and the rough.
MADAME JULIE- Frühling, Sommer, Herbst und Winter
by and with Jula Lüthje
(ca. 20 minutes)
Madame Julie - spring, summer, autumn and winter is a performative portrait, playing in a figurative sense with the seasons of life. From the perspective of an old woman, Madame Julie looks at the past and reconstructs her life in various situations. Madame Julie assumes the role of the protagonist who gathers life stories by different people of different ages. Rather than creating a linear retrospection on the chronological sequence of a life, the performance is a collage of memories by many people, taking up situations and snapshots and presenting them on stage by means of drama, dance and singing.
Through dance, drama and singing, a performative form is found which particularly focuses on movement and encounters.
Jula Lüthje is an actress with a focus on performance and movement theater. She received her education at the "Scuola di teatro del Movimento Dimitri" in Switzerland, and the “Master of Arts in Performance Studies" in Hamburg. Since 2007, she is freelancing as a performer and as a clown. She also gives workshops for children and adults as well as regular training in gymnastics and acrobatic dance for children and adolescents.
Direction, concept, choreography: Jula Lüthje
Performer: Giovanni Zocco, Hanne Lotzkat and Jula Lüthje
Sound: Jan Kuehne
SCHICHTWECHSEL - Behauptung einer Anatomie in Schichten und Röhren
by and with Antje Prust & Natascha Moschini
(ca. 15 minutes)
A performance on the pronouncement of an anatomy of layers and tubes: Layers are the membrane of existence, they encircle, cover, and protect. They are multifaceted in form, material, and numbers. Layers could be stapled, rearranged, and varnished.
Tubes can be everted and therefore are the connection between inside and outside, of layer and in-between-layer, of time and space, from madness to realism.
We (Ant&Nat) avow us to layer for layer. We tube us into a dream and confirm it as reality.
„We do start together!“ - „Shall we date within our dream?“
Antje Prust, born in 1980, is an actress and performance artist. Before and during her acting education at the „Berliner Schule für Schauspiel“ she was part of several off-theatre productions in Berlin and NRW. From 2006 until 2008 she was engaged at the Eduard-von-Winterstein-Theater where she realized among other things the scenic collage „nonstopnonstop“ with texts by Falk Richter and Xavier Durringer. Since 2008, lives and studies (Department of Performance Studies, MA) in Hamburg. Her artistic works include the solo „Polyanna“ (2008, Hamburg) and the interactive „ONEANDONLYPERFORMANCE“(2009, everywhere). At the moment she collaborates with Natascha Moschini and researches intensively on the topic „Impossible/ possible Bodies“.
Natascha Moschini, born in 1982, Stuttgart. Studied contemporary dance in Netherlands (Fontys Tanzakademie; Tilburg) and Belgium (Höheres Institut für Tanz; Antwerpen) until 2006. Working independently in Stuttgart until 2008. Worked freelance for half a year in France (Performance Art Forum, St Erme). At the moment studies at the Hamburg University – Department of Performance Studies, MA. Has been collaborating with „Tanz- und Theaterwerkstatt“ in Ludwigsburg over several years, the collective began with Nicki Liszta and the „backsteinhaus“, developed an artistic exchange with Helga Kellerer (Artist; Stuttgart) and Markus Winter (Rapper/ Writer/ Performing Artist) and several others. At the moment collaborates with Antje Prust.
BALANCE
by Elizabeth Ladrón de Guevara
with Anja Rupprech, Melanie Holt, Sara Maschhori & E. Ladrón de Guevara
(ca. 20 minutes)
Balance is a contemporary dance performance that itself with the topic equilibrium-imbalance in us out-in-vein-sets. Dependence from each other, working against forces, individual and group and mutual effects.
Balance is considered as „ritual of the centre“, the choreography describes the balance of individual body, as well as the balance between several bodies in the area.
Elizabeth Ladrón de Guevara, chilean, studied dance and choreography in the Universidad de Chile, in the Colegio Nacional de Danza in Mexico and to the CSDH in Hamburg/Germany. As a dancer she worked with different choreographers. (Johan Kresnik, Hugo de Ana and others).
1992-2007 Colombia, she created her own dance company „Danza Om Tri“ and made choreographies on international stages (Chile, Colombia, Uruguay, Brazil and Mexico).
Since 2003 she lives in Hamburg and is successfully working as dancer, choreographer and teacher.
She developed following dance productions in Hamburg: “Ritual der Haut” ,“Stadtmythen” ,“ Mythos” , “La Sangre”, “Nómade”, sponsored by “Kulturbehörde Hamburg”, “Eigenarten Festival”, Stadt Hamburg” and “Hamburger Sprechwerk Theater”.
www.eldg-danceprojects.de
Concept & Choreography: Elizabeth Ladrón de Guevara
Dancers: Anja Rupprecht, Melanie Holt, Sarah Maschhori und Elizabeth Ladrón de Guevara
Music: Gimmik / Chrystal Method and Effects.
MY DANCE ROOM
by Yolanda Gutiérrez
(ca. 20 minutes)
Die ständige Anpassung und Veränderung, die Fähigkeit sich immer wieder aufs Neue einzulassen und das immer wiederkehrende Gefühl vom Tragen eines eigenen Raumes, ein imaginärer und doch realer Raum bestimmen my dance room. Die Tanzperformance versteht sich als ein Tanzkonzept, welches bei jeder Aufführung sich ständig verändert und erneuert. Es entwickelt sich weiter und lässt immer wieder neue Konstellationen zu. Zwei Profi-Tänzerinnen bereichern diesmal das Projekt: Keshwar Sayed und Paola Osorio Vélez. Außerdem sind Gonzalo Barahona, Branka Bilogrevic, Javier Hinestroza und Ignacio Mendez mit dabei.
The continuous adaptation and change, the capacity to ingest new things and the permanent feeling of having an own space, an imaginary and at the same time a real space determine my dance room.
Yolanda Gutiérrez, academic studies in Modern Dance e.g. at „Escuela Nacional de Danza“, Mexiko City. Dancer by „Yoli-Xinastli“„Yocoyani Danza-Teatro“ and “Obsidiana” (Contemporary Dance company) in Cuernavaca, Morelos, Mexiko. Further education and Workshops with renowned dancers and Choreographers. Residencies abroad (USA, Israel, Ägypten und Europa) and apprenticeship at the School for New Dance and performance in Hannover. Choreographer for dance productions with dancers, actors and Musicians, e.g. „flesh & bone“,„origen.nullpunkt“, „Tafel Tanz“, „my dance room“. Her videos and short movies, have been presented in Hamburg (Abaton / Zeise / Metropolis Kino), Japan, Ukraine und Mexiko.
www.yolanda-gutierrez.de
Concept, choreography and video: Yolanda Gutiérrez
Dance and Live Music: Ignacio Mendez, Keshwar Sayed, Javier Hinestroza, Gonzalo Barahona, Branka Bilogrevic and Paola Osorio Vélez
Music other: Michael Galasso, Linkin Park, Moxi Beidenegl and Kolo
Lights: Michael Lentner-Niyorugira
Layout: Design Michael Raudies
An ugozana art and yolanda gutiérrez & projects production
ZONE
by and with Ursina Tosssi
(ca. 20 minutes)
Zone shows life’s pure principles like gravitation and culture, transparent through the human being. Here is the place in which every day occurrences get enigmatic and natural consequences impossible and the stress field between self-arrangement and external configuration opens itself. Seven persons were invited to the rehearsals phase to share ideas for the movement material.
Ursina Tossi, born 1973 in Heidelberg, studied classical ballett, modern dance and jazz at the Ballettinstitut Rheinland-Pfalz, with Virgil Paleru in Ludwigshafen and philosophy at the University of Mannheim. After performing in Mannheim and Ludwigshafen, among others as member of the New Dance Company under the direction of Aki Kato, she attended an advanced training as performer in Hamburg with Heidrun Vielhauer and Rotraut de Neve. In 2007 danced in the kiosk-Company production Die Kandidaten von Filip van Huffel (Belgien).
In 2005 she created the Tossi-Company in Hamburg. She directed dance productions and performances e.g.: Insomnia, Regen-eine Tanzreportage, fuminsho, meer zuhause (Thrull und Tossi), Tanzforum all 1, Rough - take 1 und ZONE.
www.tossi-company.de
Choreography und dance: Ursina Tossi Music und sound: Johannes Miethke
after performances / Foyer Hamburger Sprechwerk
MY DANCE ROOM - VIDEO - INSTALLATION
(ca. 28 minutes)
How and where does space for dance develop? What induces people to dance? What memories are awakened?
25 people with migrant background show “my dance room” at home: in the living room, in the kitchen, in the cellar or in the garden. Children, juveniles and adults from the most diverse neighborhoods in Hamburg were filmed dancing.
Yolanda Gutiérrez, academic studies in Modern Dance e.g. at „Escuela Nacional de Danza“, Mexiko City. Dancer by „Yoli-Xinastli“„Yocoyani Danza-Teatro“ and “Obsidiana” (Contemporary Dance company) in Cuernavaca, Morelos, Mexiko. Further education and Workshops with renowned dancers and Choreographers. Residencies abroad (USA, Israel, Ägypten und Europa) and apprenticeship at the School for New Dance and performance in Hannover. Choreographer for dance productions with dancers, actors and Musicians, e.g. „flesh & bone“,„origen.nullpunkt“, „Tafel Tanz“, „my dance room“. Her videos and short movies, have been presented in Hamburg (Abaton / Zeise / Metropolis Kino), Japan, Ukraine und Mexiko.
www.yolanda-gutierrez.de
Directed and filmed by: Yolanda Gutiérrez
Editor: Yana Busyhina
DanceKiosk Hamburg 2009 is funded by the Kulturbehörde der freien und Hansestadt Hamburg, the Hamburgische Kulturstiftung, das NATIONALE PERFORMANCE NETZ aus Mitteln des Tanzplans Deutschland der Kulturstiftung des Bundes and Goethe Institut. Supported by: Kampnagel Hamburg, Theater Sprechwerk and K3 – Zentrum für Choreographie / Tanzplan Hamburg.